It’s so easy to dismiss addiction as just an excuse. You give second, third chances, and when the person doesn’t change, the hurt turns to anger. It’s tough.
As this CBS “On the Road” video proves, recovering addicts do deserve second chances. They don’t always work out. But, when they are ready, they do. And this small business owner is changing lives. Video below.
Some moving words by Fordham professor and activist Mark Naison about the Rev. John Flynn, known as the “street priest” who made a difference in the Bronx:
There are not that many people you meet, in real life, whose personality is so incandescent they light of the world. Father John Flynn, pastor of St. Martin of Tours Church in the Bronx who passed away on Sept. 23, was one of those people. I met him at the height of the crack epidemic when gun battles and beefs were taking an incredible toll on young people in the Bronx. I was part of a group of religious leaders, and community activists who met as his church to try to do something about the violence, which was making normal activity impossible for many people in the Bronx because they literally feared to leave their homes and apartments.
Father Flynn’s parish, only 8 blocks from Fordham University, was in the heart of that zone. He had officiated at more than 20 funerals of young men between 17 and 25 in a single year.
Father Flynn, white haired and in his 60’s, walked the streets without fear, talking to those young men. He knew their pain and desperation. And he asked those of us present to work with him in developing a program for out of work, out of school young people, that would rescue them from the street economy.
If you had a heart and a conscience, you could not help but respond to his plea and his example. So we came together to form the “Save a Generation” program. I spent the next year with Father Flynn and several other great Bronx leaders, among them Sister Barbara Leniger of Thorpe Family Residence, and Dr. Lee Stuart of South Bronx Churches, writing proposals, giving talks, walking the streets, even going to Washington to lobby Congress. During that time, I never saw Father Flynn lose his composure, his optimism, his ability to inspire people with quiet eloquence, whether it was talking to the Borough President, or throwing footballs with local youngsters in the street outside his church. And he was as kind and thoughtful when he was alone, in his parish house as he was in his group. He had been in Latin America before he was in the Bronx and he had a deep empathy for the poor along with an equal level of respect. Working with them was his life’s mission and he did it with joy and a wonder at life’s ironies and life’s mysteries.
I spent nearly four years working with Father Flynn helping to get Save a Generation off the ground, and watched it become a life changing program that offered 35 Bronx youngsters a new chance at life. When the crack epidemic eased, I moved on, but kept in touch until he retired.
Greatness takes many forms. It is not always associated with wealth and power and fame. In the Bronx, it may have reached its highest point in the person of a parish priest who walked the street with the lost boys of the community while bullets were flying. And who those boys learned to love as much as everyone else who knew him.
R.I.P. Father Flynn. You will always live in the hearts of everyone who knew you.
Read the New York Times’ story on Father Flynn here.
“I wrote recently of an imagined rural Ohio woman sitting on her porch, watching the campaign go by. She’s 60, she identifies as conservative, she likes guns, she thinks the culture has gone crazy. She doesn’t like Obama. Romney looks OK. She’s worried about the national debt and what it will mean to her children. But she’s having a hard time, things are tight for her right now, she’s on partial disability, and her husband is a vet and he gets help, and her mother receives Social Security.
“She’s worked hard and paid into the system for years. Her husband fought for his country.
“And she’s watching this whole election and thinking.You can win her vote if you give her faith in your fairness and wisdom. But not if you label her and dismiss her.”
MEDELLIN, Colombia–Henry Arteaga could have been a drug dealer.
Growing up during the 1990s in Aranjuez, long one of the most dangerous neighborhoods in Medellin, Arteaga could have been a soldier, a gang member, an insurgent, or followed any number of violent paths which have attracted Medellin’s youth over the last 30 years.
This World Carnival #3 mix posted by Hipsters Don’t Dance has been my gym music since I downloaded it last month. It’s an incredible hip-shaking, tropical bass mix. Download it, play it, close your eyes, move yo ass and pretend we’re drinking something with rum at CARNIVAL!
Speaking of Hipsters Don’t Dance, their party for World Carnival featured DJ So Shifty, who is responsible for one of my absolute favorite salsa mixes here.
My Argentinian-from-the-Bay Area homeboy Juan Data, who frequently picks his favorite mixes for Remezcla, has given us a new remix! Download Gloryhole 2 (heh!) here. For this mix, Juan Data says he wanted to “focus mainly on current releases, modern stuff … to give a promotional extra push to all those record labels who truly love music.”
Keeping with the Bay Area theme, Los Rakas (and AOL Spinner) are giving away a free download for the bass heavy banger, “Bien Ribetiao.” Cutie Raka Rich explains, “Bien Ribetiao’ means ‘swaggin.’ It’s a Panamanian slang word.
“The beat is a style of hip-hop originally from Oakland, California. Songs like Drake‘s ‘The Motto’ and Tyga‘s Rack City,’ which have been popular over the last year at a mainstream level, are drawn from a Bay Area-sound. One example is E-40’s ‘Tell Me Where to Go’ from 2005. This style has never been done in Spanish, so we wanted to do it really well and visually have it rep all our styles being born in Panama and raised in The Bay.”
“In the beginning of our working relationship Tom was fond of giving ‘assignments’. In essence, these were creative devices intended to jumpstart the process of writing a song or a way of focusing on a musical element to lay the foundation for the jam to come. With this song we were instructed to take the bass-line from Metallica’s ‘Seek & Destroy’ and make it the bass-line of our song with the exception being that it would be played backwards. That’s right, the same bass-line note-for-note but with the notes in opposite order. The song was also to be fast tempo and needed a gang vocal saying ‘BO!’ in the chorus.”