Via ‘With a Brooklyn Accent:’ The United States of Sports and Music

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Clockwise from top left: Mickey Mantle, Frankie Lyman and the Teenagers, Willie Mays, Dion and the Belmonts.

Via Mark Naison, professor of history and African American history at Fordham University:

Growing up in Crown Heights in the 1950’s, the child of two teachers who had come out of dire poverty to scrape into the middle class, I viewed politics and government as abstractions, frightening and remote. Between my parents whispered talks of McCarthyite purges, the mushroom clouds I saw on tv, and the shelter drills we had in school, politics was scary. Televised pictures of Eisenhower and Nixon, who looked nothing like the Jewish, Italian and Black People in our neighborhood, made it remote. I was told by my parents never to sign a petition, the Constitution was something we memorized in school and trying to become President seemed absurd for people in my section of Brooklyn.
So how did I become “American,” attached to the possibilities, mythologies, and opportunities the nation offered to people of modest means who came from immigrant backgrounds?
It was sports and music which made me American. Watching Mickey Mantle, Willie Mays and Duke Snider play center field; watching Carl Furillo, who had the same face as many of my Italian friends, throw bullets from right field; listening to Frankie Lyman and the Teenagers; Dion and the Belmonts, and Little Anthony and the Imperials, kids who came out of neighborhoods just like mIne, create beautiful harmonies and sell millions of record; watching Giants linebacker Sam Huff try to tackle the great Cleveland running back Jim Brown! These were things that brought fame and fortune to kids like me, things that showed that anything was possible in America even if you grew up with very little or were stalked by ancient hatreds, such as the anti-semitism that was so much a part of my parents childhoods.
Read more here.

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